Enclosure 5
Innova
| TRACKS |
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| Ulysses Departs From The Edge Of The World |
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| Revelation
In The Courthouse Park After
The Baccae of Euripides - Chorus One |
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| Revelation In The
Courthouse Park After The Baccae of Euripides Chorus Three In |
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| Revelation In The
Courthouse Park After The Baccae of Euripides - From Scene One (Hymn To Dionysus: Holy Joy) |
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| Revelation In The
Courthouse Park After The Baccae of Euripides - From Scene Two (Hymn to Dionysus: What The Majority) |
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| Revelation In The
Courthouse Park After The Baccae of Euripides - From Scene Two (Hymn To Dionysus: Glory To The Male) |
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| Revelation In The
Courthouse Park After The Baccae of Euripides - End Of Scene Three And All Of Chorus Four |
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| Revelation In The
Courthouse Park After The Baccae Of Euripides - End Of Scene Four And Coda |
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| Introduction To King Oedipus |
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| King Oedipus: Introduction |
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| King Oedipus: Opening Scene |
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| King Oedipus: First Chorus |
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| King Oedipus:
Tiresias Scene (Beginning) |
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| King Oedipus:
Tiresias Scene (Continued) |
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| King Oedipus: Second Chorus |
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| King Oedipus: Creon Scene |
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| King Oedipus: Jocasta Scene |
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| King Oedipus: Incidental Music |
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| King Oedipus: Third Chorus |
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| King Oedipus: Messenger
Scene |
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| King Oedipus: Fourth Chorus |
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| King Oedipus: Herdsman
Scene |
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| King Oedipus: Oedipus Scene |
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| King Oedipus: Fifth Chorus |
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| King Oedipus: Instrumental
Commentary |
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| King Oedipus: Antiphony |
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| King Oedipus: Exit Oedipus
-
Pantomime |
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| King Oedipus: Final
Chorus
And Coda |
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| Johann Krieger: Menuet |
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| Douglas Moore: Come Away, Death |
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| Come Away, Death (From December, 1942) | (liquid) |
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| By The Rivers Of Babylon
(137th Psalm) |
(liquid) |
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| Introduction To The Bewitched | (liquid) |
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| The Bewitched (A Ballet Satire) -Prologue |
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| The Bewitched (A Ballet
Satire) - Scene I: Background for the Transfiguration of
American Undergrads |
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| The Bewitched (A Ballet
Satire) - Scene 2: Background for the Permutation of
Excercises in Harmony and Counterpoint |
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| The Bewitched (A Ballet Satire) - Scene 3: Background for the Inpired Romancing of a Pathological Liar |
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| The Bewitched (A Ballet Satire) - Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music |
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| The Bewitched (A Ballet
Satire) - Scene 5: Background for the Visions of a Defeated
Basketball Team in the Shower Room |
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| The Bewitched (A Ballet Satire) - Scene 6: Background for the Euphoria on a Sausalito Stairway |
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| The Bewitched (A Ballet
Satire) - Scene 7: Background for the Transmutation of
Detectives on the Trail of a Culprit |
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| The Bewitched (A Ballet
Satire) - Scene 8: Background for the Apotheosis of a Court
in its Own Contempt |
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| The Bewitched (A Ballet Satire) - Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise |
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| The Bewitched (A Ballet
Satire) - Scene 10: Background for the Demonic Descent of
the Cognoscenti While Shouting...) |
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| The Bewitched (A Ballet Satire) -Epilogue |
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